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1961 | Eurail Pass advertising Source: Esquire magazine |
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1957 | Full page shoe editorial As seen in Esquire magazine (unknown brands) |
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1980s | Ethnic boot by Ottorino Bossi | detail Source: EBay |
"The economy is obviously not that bad. Both Sandilar (in Applegate and in Claire Pearone) and Renaissance in Ann Arbor are carrying an elaborate handmade Italian boot by Ottorino Bossi. The boot, with snake, suede and metallic trim, sells for about $600, and both stores are well stocked. Says Sandilar owner Stan Zerman, who bought the boot in three colors: "It's a fabulous boot. I'm not worried about selling it." Amazing."
Linnea Lannon | Detroit Free Press, 1982, August 8th
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1982 | Ethnic boot by Ottorino Bossi Source: Detroit Free Press |
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1980s | Ethnic boots by Ottorino Bossi Source: eBay (Left), 1stdibs.com (Top center, Right) |
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Ottorino Bossi Source: eBay |
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Ottorino Bossi Source: eBay |
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1927 | Blanche Montel After winning a car race among artist women Source: Le Sport Universel Illustré |
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1929 | Blanche Montel | Driving and elegance competition in the Bois de Boulogne, Paris Shoes by André Perugia Source: Gettyimages |
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1929 | André Perugia shoes and matching handbag Kidskin and Morocco leather Source: Vogue France |
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1927 | Blanche Montel for André Perugia Source: La Revue de la Femme |
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1927 | Blanche Montel wearing a boa coat Model by Béchoff in collaboration with Alpina Tanneries Source: Vogue France |
If there is no authoritative account of the origin of the (lizard/snake skin) craze, there are several Paris personages who are modestly willing to be identified as the pioneers of the new idea. There is Blanche Montel, the pretty boulevard actress, who is anxious for fame as the first wearer of a serpent coat and first owner of a lizard-lined automobile.
Syracuse Journal (NY) | July, 28 | 1928
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1927 | Blanche Montel outfit for the comedy Viens avec nous petit Coat in boa leather and hat by Béchoff | Shoes by André Perugia Source: Comoedia magazine |
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1932 | Nicolas Greco Evening sandal made in crêpe de chine. Light and dark blue, with golden details Source: Vogue |
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Year Unknown | Nicolas Greco Courtesy of Inge Specht-den Boer (Museum Conservator/Curator) |
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CA.1935 | Nicolas Greco Source: Philadelphia Museum Of Art |
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CA.1935 | Nicolas Greco Source: Philadelphia Museum Of Art |
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1935 | Nicolas Greco Sandals in natural linen and brown kidskin; to wear with white line stockings Source: Vogue |
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1935 | Nicolas Greco Sandals in natural linen Source: Vogue |
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1927 | Nicolas Greco 4 Rue Des Capucines, PARIS |
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1928 | Nicolas Greco Paris, Nice, Cannes, Deauville, Biarritz Source: The Animalarium |
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1973 | Beth & Herbert Levine Circles Of Suede sandal | Detail Source: Abilene Reporter News CIRCLES OF SUEDE HIGHLIGHT A MARVELOUS SLING PUMP BY HERBERT LEVINE. An open toe sling pump with a new fashion twist. Done in beige suede with blue, mauve and beige suede circles on clear vinyl. $50 Herbert Levine ad Abilene Reporter News | October 21, 1973 |
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1973 | Beth & Herbert Levine Circles Of Suede sandal Source: Rachel Yiddle/Flickr |
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1973 | Beth & Herbert Levine Circles Of Suede sandal Source: Rachel Yiddle/Flickr |
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1973 | Beth & Herbert Levine Circles Of Suede sandal Source: Abilene Reporter News |
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1968 | Vaccari | Bologna Circle Of Leather |
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1968 | Beth & Herbert Levine Outer Space pump Source: The Wisconsin Jewish Chronicle | January 19, 1968 |
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1968 | Beth & Herbert Levine Outer Space pump Source: The Wisconsin Jewish Chronicle | January 19, 1968 |
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1968 | Beth & Herbert Levine Outer Space pump Source: YourNameHere |
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1968 | Beth & Herbert Levine Outer Space pump Source: YourNameHere |
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1968 | Beth & Herbert Levine Outer Space pump | Detail Source: YourNameHere |
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1966 | Beth & Herbert Levine The model Tracery Square Source: Longview News Journal |
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1966 | Beth & Herbert Levine The model Tracery Square Source: Hot Shoes by Maureen Reilly/Collection of Gail Pocock Erroneously dated circa 1959 |
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1966 | Beth & Herbert Levine The model Tracery Square Source: Goldstein Museum of Design Erroneously dated 1950-1959 |
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1966 | Beth & Herbert Levine | detail The model Tracery Square Source: Goldstein Museum of Design Erroneously dated 1950-1959 |
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2007 | Thierry Rabotin - cover Published by Parabiago Collezioni |
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L to r | Thierry Rabotin, Karl Schlecht, Giovanna Ceolini Photograph: Enrico Suà Ummarino Source: Thierry Rabotin |
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Thierry Rabotin Photograph: Marco Lanza Source: Thierry Rabotin |
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Workers at Parabiago Collezioni | Parabiago, Milan Photograph: Claudio Mazzoni Source: Thierry Rabotin |
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Workers at Parabiago Collezioni | Parabiago, Milan Photograph: Claudio Mazzoni Source: Thierry Rabotin |
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THIERRY RABOTIN |
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Thierry Rabotin Photograph: Marco Lanza Source: Thierry Rabotin |
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Thierry Rabotin/Parabiago Collezioni Parabiago, Milan |
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1926 | Illustration From Julienne advertising Source: Les Modes |
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1926 | Marriage of Arlette Lemoine and Roger Villeminot The group of bridesmaids Dresses by Worth; Shoes by Julienne |
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| Detail of the shoes by Julienne |
"The bride was exquisite in her dress draped in white satin, adorned with a very long train on which stretched the veil of tulle framed by needle stitch. The hairstyle raised murmurs of enthusiasm on her way (…). The three little girls who were walking behind her were dressed, according to a famous Reynolds portrait, in long white muslin dresses, with old pink satin belts and velvet berets of the same tone.
The eight bridesmaids were identically dressed in silver Salambo, pleated skirts, little sweaters with shawl collar, « régata » tie, big berets of velvet in rose color and bottes of roses in their arms."
"It was noticed that they wore velvet-rose shoes with silver straps, matching exactly with their dress, and the name of Julienne was whispered, who had also made the shoes for Madame Lemoine and Mme. Villeminot, with fabric similar to their toilets"
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The bride's mother Madame Jacques Lemoine, née Worth Dress by Worth, shoes by Julienne |
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1934 | Eugene Printz, Shoe rack Source: Vogue France |
"Eugene Printz (1889–1948) was a French designer best known for his groundbreaking wooden seating furniture and cabinetry. Printz’s work is especially notable for its conflation of precious woods with modular and progressive design aesthetics that were at the forefront of early 20th-century innovation.
Born on June 1, 1889 in Paris, France, he developed an interest in furniture from his father, who made a living building antique replicas in a Parisian workshop. The young Printz worked in his father’s studio during his adolescence before gaining widespread acclaim in 1925 at the International Exhibition of Modern Decorative and Industrial Arts with his own original pieces.
[Source: ArtNet]His Art Deco designs found favor with the European social elite, with notable accomplishments including the furnishing of haute-couture designer Jeanne Lanvin's office and the castle of Grosbois, and today his work can be found in Madonna's New York apartment. Printz died on March 26, 1948 in Paris, France."
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1934 | Eugene Printz, Shoe rack Source: Vogue France |
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1934| Eugene Printz, wardrobe overview Source: Vogue France |
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1942-1944 | Mother's Shoes Drawing of her mother's shoes by a Jewish teenager in hiding |
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1956 | Andre Perugia | The Circlet Boot | Lastex & Mink I.Miller Dept. At Carson Pirie Scott. & Co. | Chicago Photograph: Guy Bourdin |
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1958 | André Perugia At the Msusée de la Chaussure, Romans sur Isère Source: Instagram - Métiers du cuir |
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1960 | Andre Perugia Buckle-less pump with lace in Lastex yarn Photograph: Guy Bourdin |
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Andy Warhol With All My Mixed media drawing, watercolour, silver paint, and black ink Source: Liveauctioneers |
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1967 | Boutique Chantal (Parabiago, Milan) Designed by Georgina Cascone Source: Nostra Signora La Moda by Amelia Bottero (Mursia, 1979) [*] |
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1967 | Boutique Chantal (Parabiago, Milan) Designed by Georgina Cascone Source: Moda In Pelle magazine (#1 - 1967) |
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1967 | Boutique Chantal (Parabiago, Milan) Designed by Georgina Cascone Source: Nostra Signora La Moda by Amelia Bottero (Mursia, 1979) [*] |
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1967 | Boutique Chantal (Parabiago, Milan) Designed by Georgina Cascone Source: Moda In Pelle magazine (#1 - 1967) |
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1967 | Boutique Chantal (Parabiago, Milan) Designed by Georgina Cascone Source: Moda In Pelle magazine (#1 - 1967) |
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1944 | Bally Of Switzerland Wooden Soled Clogs Source: The Miami News - September 22, 1944 |
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Above: Léandre Grégoire Renaldo/Joseph Sciroppo Split platform paperwork (Filed December 8, 1938 - Granted June 26, 1939) Below: Tracy Dolphin's Bally Of Switzerland |
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Above: Léandre Grégoire Renaldo/Joseph Sciroppo Split platform paperwork (Filed December 8, 1938 - Granted June 26, 1939) Below: Tracy Dolphin's Bally Of Switzerland |
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Above: 1943 | articulated sole by Sterling Last Corporation Source: Popular Science - June 1943 Below: Tracy Dolphin's Bally Of Switzerland |
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1941 - 1943 | Bally Of Switzerland: a museum piece. Photograph: Tracy Dolphin Source: Miss Rayne/Tracy Dolphin |
The art of handicraft is indigenous to foreign countries where beautiful embroidery, weaving, beadwork, the making of glass, lace and shoemaking are frequently family affairs, with many a craft-secret handed down from generation to generation, and kept inviolate through the years.
Italy has always been known for her shoe craftsmen. Even in America, the little Italian “shoemaker around the corner” is likely to be a potential designer. Many a shoe dynasty has evolved through the elder member of a family who started with simple repairing, which gradually grew into custom designing and creating of fine footwear.
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1955 | Frattegiani | Florence Kid, sailcloth and raffia sandals with cork soles Source: Chicago Tribune, April 1955 |
Such is the story of Frattegiani, creators of some of the most beautiful, imaginative and refreshing shoes we have ever seen, in Europe or America. Fifty years ago, Frattegiani “padre” (senior) was a modest shoemaker in Florence. He had a penchant for design, and after 20 years worked up a custom business. Today he is retired, but his son and his daughter in their early 40’s, who worked with him and learned the craft, carry on the tradition of fabulous shoe designing.
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1955 | Frattegiani | Florence Kid, sailcloth and raffia sandals with cork soles Source: Chicago Tribune, April 1955 |
The factory, with its 50 craftsmen, and another shop, are in Florence. But their shop in Rome, where they carry a minimum stock of all the designs on the line, is also a most fascinating place. Here you select your shoes, try them on, have an outline of your foot drawn while you loll in one of the ample lounge chairs covered in gay prints.
There are small white wrought iron tables and shelves trimmed with colorful ceramic leaves to match the huge branched chandelier and the several branched floor lamps, these of all white wrought iron too, and gay with green, lavender, pink, blue, turquoise ceramic leaves.
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1955 | Frattegiani Florence Source: Ars Sutoria |
Sample shoes, divine straw handbags lined in leather, lie carelessly about in seeming abandon. The atmosphere is informal, relaxed and gay. And gaiety is the keynote of the shoes. You get the idea that shoes are a gay business, as indeed they are. They fit magnificently… seem to mold themselves to the foot, not the foot to the shoe.Handmade of course, you also wonder about the streamlined look they have, remembering that most of the shoes you’ve seen in Italy have a flat, squat, broad, ungraceful look. The answer is that Frattegiani uses American sizes and lasts. All resemblance ends there.Edith RadomHartford Courant Aug, 7, 1952
Most exciting and unusual however, are the ceramic heels and trims. There's a divine black suede single-eyelet oxford-tie with a flat gold embossed ceramic heel. They’re soft as only antelope can be. Yes, they’re wearable and practical. (at least we hope so: we ordered them because they were irresistible!).In the lower portion of the photograph are some resort shoes that are extremely popular at Capri, they have pastel ceramic flat heels and a ceramic flower on the straps.
Edyth RadomSource: Hartford Courant - August 7, 1952
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1952 | Frattegiani Ceramic Heels Source: Hartford Courant - October 9, 1952 |
And we hope you’ll excuse the play on words, but way back in July we filed a story from Rome, Italy, on some of the most exciting shoes we’d seen in years, originals by Frattegiani custom-designers and creators of beautiful footwear. (…)
Since our return, many have asked us “do you mean, real, honest-to-goodness ceramic? Pottery? And the anwer is "yes, honest-to-goodness ceramic heels". We’ve been waiting with the utmost impatience for them to arrive and at long last they did, just a few days ago, and we feature them because we thought you might like to see them. They’re soft as only antelope can be, conform to the foot and feel light as air.
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1952 | Frattegiani Porcelain heel by Richard Ginori - Doccia, Florence |
ROME MEMO ON FASHIONS
Heels are admitted to Roman society - when they bear the mark of Frattegiani at 50, via Sistina. Most exclusive are his famous porcelain heels specially designed by Florentine craftsmen.
These platforms and spikes in pastel-toned embossed flowers are often matched by three-dimensional porcelain blossoms on the toe. Most sophisticated are the plain gold heels with incrusted star motifs on black ballet pumps.
Surfaces of other Frattegiani heels are inspired by artists who put on paint with a knife-rough shaggy slices of color that meet and combine in abstract shapes. The same technique in gold resembles crumpled lame set with semi-precious stones in every fold.
Monique
The Philadelphia Enquirer - November 25, 1954
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Ceramic Heels by Frattegiani (detail) At the Exhibition "Bellissima. L'Italia dell'alta moda 1945-1968" Source: Rossa |
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1956 | Frattegiani | Florence Mosaic Heels Photograph: JSS/Keystone |
ARTISTIC SHOE HEELS MADE OF MOSAIC ...
NEW STYLES FROM ITALY
Sep. 09, 1956 Artistic Show heels made Mosaic new styles from Italy.. Frattegiani the famous Florentine shoe stylists the creator of these unique shoe heels which are made of colourful mosaic in true Italian Style.
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1955 | Frattegiani | Florence Kid, sailcloth and raffia sandals with cork soles |
Today’s Fashion
Raffia and velvet wide-circle skirts are being sold to Texas women who love the ordinary patio skirts. The Italian imports are made of alternate rows of straw and velvet ribbon, hand-embroidered with flowers or geometric emblems.
Sling straw sandals by Frattegiani are bare on top and cork-heeled on bottom. They make nice compliments to the straw skirts.
The Journal News | June 23, 1955
White Plains, New York
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1955 | Frattegiani | Florence Kid, sailcloth and raffia sandals with cork soles |
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1953 | Raffia-covered wedges by Frattegiani (Florence) Source: The Baltimore Sun - June 14, 1953 |
"These are the sun dresses you’ll wear on vacations, on week-ends, to town or work with their jackets on:
- Smooth cotton broadcloth with striped Everglaze cotton jacket, grey or navy, 12 or 20 an 14 ½ to 22 ½, 17.95 $- Sheer cotton jacquard with marquisette yoke, rose, blue or green, 12 to 20, 22.95 "
Source: Hochshild Kohn advertising | Baltimore Sun
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1953 | Sun dresses and Frattegiani wedges Source: The Baltimore Sun - June 14, 1953 |
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1953 | Raffia-covered wedges by Frattegiani (Florence) | Detail Source: The Baltimore Sun - June 14, 1953 |
